My passion for the paranormal started when I was about 13 years old. I had an experience that changed my life. A series of psychic dreams changed my worldview overnight. I was unable to comprehend what happened to me. I looked for explanations but I couldn’t find any. Eventually this experience lead me to explore other suspected paranormal phenomenon. I figured if I had an experience this dramatic, there had to be more like me. But as I looked into the work of paranormal investigators I was disappointed with what I found. Most paranormal investigators did very little investigating. Every bump, strange sound or dust particle would be claimed as paranormal. Then I looked at skeptics who labelled themselves as scientific and logical. Behind a facade of science I found that so-called skeptics put even less effort into studying the paranormal. They wouldn’t even conduct field investigations then they would write their science-based cause that didn’t even explain many of the conditions of the phenomenon. I realized the field of paranormal research needed guidance and a better approach to research. I decided to harness my experience as an intelligence analyst to offer a new methodology for the investigation of suspected paranormal phenomenon. That’s when I launched TheParanormalAnalyst.com I hope that through this website I can advance our understanding of suspected paranormal phenomenon and encourage a systematic and objective approach for investigation and analysis.
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Adapted from two acclaimed graphic novels, Mars et Avril is set in a futuristic Montreal, where humanity is about to set foot on Mars. Jacob Obus, a charismatic musician, takes pride in slowing down time by playing instruments inspired by women’s bodies and designed by his friend Arthur. A love triangle develops when Jacob and Arthur both fall in love with Avril, a young photographer. Enter Eugene Spaak, inventor, cosmologist and Arthur’s father, who unveils a new theory about man’s desire to reach Mars and helps Jacob find the true meaning of life and love.
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